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Tws summary
Trust
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Though more than a little dated, the original Man Who Knew Too Much remains a must see for fans of spy thrillers and classic filmcraft. Dryer than a vermouth-free martini, perfectly shot in high contrast B&W and crafted in such accomplished fashion that Hitch’s nickname – The Master – could h…
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Classic Lorre: Oily, Sinister, Depraved
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Delightful and gripping, this early Hitchcock gem became the model for fugitive hero thrillers ever since. Terrifically entertaining – albeit dated in dialog, edginess and production values – The 39 Steps is a must see for anyone interested in the original hero-on-the-run-from-the-good-and-bad…
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Something's going on here.
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Considered one of the great screwball comedies, Nothing Sacred is still worth viewing some eighty years after its premier for the satirical laughs it triggers, for its colorful portrayal of New York City and rural Vermont, and for its clever takedown of venal journalism as practiced by big city…
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Trailers have changed quite a bit.
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Screwball romantic-comedies don’t get much better than Bringing Up Baby, “Baby” being a leopard and its adoptive parents a never better Cary Grant & Katherine Hepburn. Three quarters of a century after its premiere, Howard Hawks’ classic remains a delightfully ticklish cinematic confection.
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Kate & Cary as Susan & David
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Fast talking, smartalecky comedy hit a peak with His Girl Friday. Still LOL funny today, it’s also plenty clever enough to travel through the ages as intelligent entertainment for movie lovers of any generation. How could it not be? It stars the most versatile movie star ever in Cary Grant…
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Grant & Russell - made for each other
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Call me crazy, but I find The Philadelphia Story inferior to Bringing Up Baby, its contemporaneous cousin. Katherine Hepburn’s comeback movie – the picture that cemented her status as a hit-making star – is a very fine romcom and an understandable member of seven American Film Institute all-t…
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Starburst: Grant, Hepburn, Stewart
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Want to hear what perfect dialog sounds like? Listen to Fred MacMurray and Barbara Stanwyck in Double Indemnity. Credit Raymond Chandler, James M. Cain and director Billy Wilder, three legendary writers who didn’t get along but nonetheless birthed “the paradigmatic film noir.”1 A perfect…
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MacMurray & Stanwyck speak perfect di...
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There’s No Business Like Show Business and there was no show business phonier than vaudeville, till movies. So an overtly phony movie about vaudeville makes for a phony convergence. It was perhaps the last of the musical extravaganzas, a calorically rich compendium of Irving Berlin’s showstoppi…
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Marilyn Monroe & Donald O'Connor: Sta...
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