Created Jan 15, 2011 12:12AM PST • Updated Jan 15, 2011 12:21AM PST
One man’s ranking and rating of the Coen Canon, most of it anyway.
- Great
- 86 Points
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Chronic fun for Dudes, Duders and El Duderinos, this post-modern classic sits high in the Coen Brothers’ comedy canon. A treasured treat for legions of mild hedonists, it features Jeff Bridges and John Goodman’s comic buddies for the ages. The huge cast also includes big names delivering perfect little bits: the Ice Queen, the submissive buddy, the obsequious functionary and the ultimate hottie. It starts with a classic case of mistaken identity. In the end “The Dude abides.” |
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This highly stylized production by the Brothers Coen has great fun with the cinematic staples of old time gangster movies. Certainly one of the best movies the Brothers C have made, Miller’s Crossing features scene stealing performances by Jon Polito and others. |
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The Coen Brothers are writers as much as directors, making Barton Fink – a satiric tribute to tortured writers and the demonic pull of Hollywood – more than a little self-reverential. Oops, did I say reverential? Referential, self-referential. Either way, it’s one of their best movies notwithstanding being clankingly arch at times. It is, after all, a career thriller. A writer goes to Hollywood and is forced to … go Hollywood. With the Coen’s trademark ironic humor applied, the whole schmear ends up as a Borscht Belt Day of the Locust, if you catch my drift. "That’s showbiz… |
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Darker and more realistic than the 1969 original featuring John Wayne, this 21st Century retelling of a classic Wild West retribution story succeeds in almost every respect — often funny, richly evocative, shockingly brutal, cleverly revisionist. That last comes from the clear hero – a 14 year old girl, not the flawed men she uses to bring her father’s murderer to justice. The Coen Brothers love this sort of unconventional storytelling, especially when they can marry it to rich visuals and vivid characters. Jeff Bridges, in yet another masterful performance,1 and young newcomer … |
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Yet another idiosyncratic masterpiece from the Brothers Coen, this time a fairly modern yet characteristically outlandish tale of woe about a scrappy hunter who stumbles across a fortune in drug money, thus stirring up the unfortunate attention of some very bad men. Be warned though that the Coens have chosen to make an art of anti-climax in No Country of Old Men: while the movie doesn’t lack for violent confrontations, several happen off camera or fail to materialize at all. The acting and dialogue are first rate, starting with Javier Bardem’s implacable killer, continuing with Josh … |
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Dyspeptic and deeply sacrilegious, the Coen Brothers’ latest is also reliably funny and brilliantly surreal. A ludicrous fable of Biblical proportions, the movie nonetheless oozes verisimilitude, a credit to the manifold talents of the auteur brothers behind it and their virtual Yiddish theater of a cast. The movie mines misfortune for humor, like a modern Book of Job played for black comedy. Here the schlemazel of a hero finds himself surrounded by schlemiels1, schnorrers, schmucks… |
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This modern farce picks up a decent head-of-steam, but rarely becomes LOL funny, and ultimately suffers from its makers’ oddball sense of timing and irony. Bottom line: a lesser Coen Brothers comedy, worth watching but not treasuring. |
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