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Classic film noir doesn’t necessarily age well, The Third Man a case in point, cool cover notwithstanding. Slow and stilted by contemporary standards, it nonetheless deserves its status as a benchmark of the genre, if not the perfect rating so many give it. Most intriguingly, it would make a …
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The movie's better than the trailer.
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The House on Telegraph Hill is a triumph of art direction. That’s good. It’s also unintentionally campy. That’s bad. The result is a just OK movie, yet one that belongs in the San Francisco Cinema Hall of Fame. The views are marvelous. And the views are the thing with San Francisco real…
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Grt Views, Lrg House, fake Telegraph ...
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A lavish Hitchcock treat, full of glamour, suspense and wit. The establishing scene is a virtuoso display of filmmaking all by itself, while Grace Kelly graces – there is no other word for it – the silver screen like a goddess amongst mortals.
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Dial M for Murder is lesser Hitchcock, yet worth watching for its classic tropes, timeless title and for Grace Kelly. But, the convoluted and constrained plot is insufficiently removed from its stage play roots.
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Hitch loved blond: Grace Kelly's Gold...
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Before It Takes a Thief there was To Catch a Thief, an exercise in high style, sumptuous settings and 1950s thrills, featuring the most glamorous couple in Silver Screen history. Cary Grant & Grace Kelly are über attractive as a rich heiress and a cat burglar … who was also a hero of the…
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The most glamorous couple, ever?
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Oscar winning British actor Charles Laughton directed only 1 movie in his 30 year plus career but in this case 1 movie was enough. “Night of the Hunter” remains not only one of the great thrillers in the history of cinema but one of the better “Children in Peril” movies, not quite up there wi…
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Hitchcock’s classic thriller, dizzying as ever, still packs enough punch to make girls scream. While tame by the crude standards of the past thirty years, the movie doesn’t lack for intrigue, glamour and surprise. That said and though Vertigo is widely acclaimed as Hitchcock’s masterpiece, …
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Hey, is that Kim Novak out front?
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Cary Grant and Alfred Hitchcock combine in a great caper movie – maintaining just enough menace to be thrilling in the vein of Hitchcock’s best movies, yet also featuring much comedy. The acting class on display only adds to the movie’s excellent reputation. |
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