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Tws summary
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A story of brothers ripped apart by revolution should be better than the formulaic The Wind That Shakes the Barley. Cloaked in the emerald charm of Ireland, yet curiously unengaging, it’s more socialist screed about the Irish republican revolution than ripping good yarn. The Irish revolutio…
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Brothers, close as can be, ripped apart
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Norse mythology – vainglorious and a bit fussy – isn’t everyone’s cup of grog. Yet it inspires a marvelous comik movie. Just this side of campy in the opening reel, Marvel’s latest proves gracious and charming by the middle, then thunderously thrilling in its climactic battle sequences. Most…
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"It's a good look!" blurted Jane.
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Man of Steel isn’t lite or frivolous, making it a disappointment to those expecting snark or bubblegum. Christopher Nolan takes heavyweight DC superheroes seriously, first producing, writing and directing The Dark Knight trilogy, an…
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A superior Jor-El begets a super Kal-El
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Cinematic sensations conclude no better than HP|DH:P2. We’re talking multiple climaxes, legitimate ones. This perfect finale gives us final scenes with most every significant character from the entire magical series, many consisting of just one freighted line, each perfectly crafted, all subl…
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The Noseless One and his Minions
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The finale of the Dark Knight trilogy rises to the occasion, delivering a compelling and consummately produced big screen experience. Famously long at almost three hours, it does indeed fly by, the rich story and characters well harnessed to Christopher Nolan’s masterful direction, the closure c…
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1st rate villain = 1st rate action movie
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Depp does Dillinger — directed by Mann, in Public Enemies. This was the most promising premiere of the summer, a perfect convergence of preeminent star in a role he was born to play – one of the most significant crime figures in American history – being directed by the maestro of high-style cr…
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Middle American Insouciance
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Well mounted comik story that engagingly follows the classic routines: badass avenger with a heart of gold wisecracks his way through a series of titanic death duels, saving the world in the process. Importantly, the bad guys provide sufficient interest, with Rasputin a particularly interesting … |
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King of the World combination of teen dream romance, larger than life disaster and mechanical intrigue. Pushes the entertainment buttons of most every demographic.
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Martin Scorsese does a kid’s movie, delivering a film history lesson wrapped in a Parisian postcard. Glorious visuals, affecting performances and deft filmmaking flourishes make it a treat for kids of all ages. The fable of Hugo Cabret imagines an orphan boy who lives in the walls of a stor…
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Hey, who's that photographer?
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A brave girl’s amazing fantasy, stupendously well told. Monumentally effective FX bring to life fauns, fairies and all manner of fantastical creatures, making Pan’s Labyrinth both technically and artistically engrossing. Faced with a horrific family situation, the brave Ofelia (played with pl…
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Dali's war surrealism preceded del To...
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