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All for one and one for … naught. Paul W.S. Anderson’s CGI-crazy take on The Three Musketeers has some great visuals to recommend it and gobs of silly gimmickry to destroy it. The gimmickry won, meaning the viewer loses. Steer clear. The movie consists of cockamamie action scenes inter…
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The King & his Minister in the Louvre
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Great title, lame movie. Perhaps the cutting edge from 1972 was bound to appear silly four decades later, but this French farce sure hasn’t aged well. Desperate to offend, it mostly baffles and boggles. Is it too late to rescind its Oscar for Best Foreign Language Film? |
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People want to love Les Miz and many have, including the Oscars and a fellow ViewGuider. Fair enough. Beloved is beloved, especially when a blockbuster movie doesn’t stint on production values or star power. Sometimes however, an ugly truth is hiding right in plain sight, or in plain earshot…
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Samantha Barks stands out in a crowd
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François Truffaut’s The Man Who Loved Women hasn’t aged well. Perhaps that happens to every Lothario. It certainly seems to happen to movies about them. Nonetheless, this famous French film carries a certain fascination given that it was created by the legendary auteur behind "the Auteur Th…
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The Man Who Knew Women
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Visually scintillating, musically avant-garde, dramatically turgid: This biopic of two cultural giants goes down like Brussels sprouts instead of foie gras. IOW, it takes effort to work through the two hour running time, when it should feel like savoring a rich delicacy. Pity, since Coco & Igor…
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Great design barely trumps turgid drama.
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Those Magnificent Men in their Flying Machines – as the phrase went back in the day. Magnificent indeed, but also jaded, troubled, and struggling with the fact that so little of them ever make it through WWI sotries alive. Aces High takes a soft-pedal (well, soft for a 70’s movie anyway) look a… |
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The Intouchables clearly plays better in its native France than to we Americans. There it is a cultural sensation that bridges the divide between an immigrant underclass and wealthy patricians, the former living in bleak suburban projects, the latter in central Paris. Featuring big French sta…
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"You're going to buy that?!"
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