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Brilliance has never been more exquisitely appreciated than in Amadeus, with Wolfgang Amadeus Mozart’s genius obsessively observed by Antonio Salieri, his lesser rival. Profound jealousy makes for such sweet sorrow, especially as snottily delivered by F. Murray Abraham in a stupendously juicy r…
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Sexy Opera, Very Sexy Opera
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The eyes have it! Well, the eyes and the lies have it. The eyes belong to golden superstars Paul Newman & Elizabeth Taylor — his intense blue orbs opposite her intoxicating violet ones, no FX involved with either. The lies, well, the lies drive the story, with the fancy word “mendacity” bandied a…
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Liz Taylor gets sexy with Paul Newman
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Starched and stilted, Witness for the Prosecution nonetheless packs one hell of a punch at the end, with glorious detail throughout and a powerhouse cast who are the complete masters of their juicy roles. Nevermind that its theatrical roots show. Agatha Christie knew how to write for max view…
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Wilder angle: Dietrich looks up at Power
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There’s No Business Like Show Business and there was no show business phonier than vaudeville, till movies. So an overtly phony movie about vaudeville makes for a phony convergence. It was perhaps the last of the musical extravaganzas, a calorically rich compendium of Irving Berlin’s showstoppi…
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Marilyn Monroe & Donald O'Connor: Sta...
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A married Cary Grant being tempted by Marilyn Monroe is ample inducement to watch Monkey Business. Yet mere adulterous titillation undersells this sparkling marital comedy from the early Fifties. The movie centers on Grant’s loving relationship with his wife, played by a deft Ginger Rodgers. …
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Cary & Ginger find their inner children
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Call me crazy, but I find The Philadelphia Story inferior to Bringing Up Baby, its contemporaneous cousin. Katherine Hepburn’s comeback movie – the picture that cemented her status as a hit-making star – is a very fine romcom and an understandable member of seven American Film Institute all-t…
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Starburst: Grant, Hepburn, Stewart
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