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At first blush, Punch-Drunk Love presents as merely a high-toned Adam Sandler movie. But hold on Sandler haters, this movie is celebrated by people who wouldn’t be caught dead watching Happy Gilmore. Why? Because it’s a great Hollywood romance, a symp…
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From SNL nebbish to bona fide moviestar
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Anjelica Huston and Annette Bening use their considerable feminine wiles to control a man-in-the-middle. Talk about a double shot of mature sexiness, even if John Cusack proves barely worthy of their attentions. Of course Huston’s mobbed-up mom takes an immediate dislike to Bening’s sexed-up gi…
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Bening's sexy smooth grifter, on the ...
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Seven psychopaths, a Shih Tzu and an alcoholic screenwriter add up to a damn funny movie. Each psycho gets featured in a short within the larger movie, then gets additional screen-time based on how immediately expendable they are. As with horror-comedies, most are introduced just to get enterta…
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Walken's zenfully weird psycho
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Second-rate performances by first-rate stars in a second-rate thriller with a heavy-handed political agenda make Arbitrage a third-rate movie. Don’t believe the praise it’s received from the Mainstream Media. They’re in love with writer-director Nicholas Jarecki’s politics more than his movie…
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The movie's lone shining star: Tim Roth
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The good news about Rust and Bone is that it’s not about an orca trainer’s accident. It’s about her recovery. In any case, hers is only half the story, the rest being about an oafish stud with a small child in tow. What happens to father and son is tougher to take than what happens to her – …
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Communing Mammals: Human and Orca
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I read On The Road by 21 because it was necessary. I saw On The Road this weekend to be entertained. Entertaining it is, though cultural legacy aside, mad words about mad living don’t make a great movie, not without great acting and a cinematic story, neither of which On The Road has….
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Hand Check!
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French musical sensation Serge Gainsbourg explains himself in this surreal biopic. Largely unknown here in America, Gainsbourg was a cross between Dylan, Sinatra and Leonard Cohen in France. The women he squired – including Brigitte Bardot during her superstar heyday – comprise a good part of h…
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Musician's Beauty: Gainsbourg & Bardot
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Visually scintillating, musically avant-garde, dramatically turgid: This biopic of two cultural giants goes down like Brussels sprouts instead of foie gras. IOW, it takes effort to work through the two hour running time, when it should feel like savoring a rich delicacy. Pity, since Coco & Igor…
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Great design barely trumps turgid drama.
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Brando’s feral sexuality reached its nihilistic extreme in Last Tango in Paris, a high-toned porno distinguished then for its daring explicitness and now as a period piece of iconic 70s indulgence. The minimalistic story about a grief stricken older man conducting an anonymous sexual maratho…
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Nihilistic Chic: Cover Boy Brando
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In the Cut deserves more than mere notoriety for a provocative title and Meg Ryan’s erotic performance, though the latter is monumental – No more RomComs for the RomCom Queen. – and vividly memorable. Slow starting, moody, Jane Campion’s movie finally turns fully creepy 30 min in, not a mome…
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The movie's better than the trailer.
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