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Classic film noir doesn’t necessarily age well, The Third Man a case in point, cool cover notwithstanding. Slow and stilted by contemporary standards, it nonetheless deserves its status as a benchmark of the genre, if not the perfect rating so many give it. Most intriguingly, it would make a …
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The movie's better than the trailer.
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Hollywood’s greatest confection is and has always been Hollywood, a reality that the fabulous imagery of Sunset Blvd. celebrates better than any movie before or since. Oh yeah, it’s also a hell of a lot of fun, a black & white cauldron of irony, ambition and beauty, full of devilish turns and …
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A Hyperbolic Trailer That Doesn't Ove...
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The House on Telegraph Hill is a triumph of art direction. That’s good. It’s also unintentionally campy. That’s bad. The result is a just OK movie, yet one that belongs in the San Francisco Cinema Hall of Fame. The views are marvelous. And the views are the thing with San Francisco real…
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Grt Views, Lrg House, fake Telegraph ...
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Oscar winning British actor Charles Laughton directed only 1 movie in his 30 year plus career but in this case 1 movie was enough. “Night of the Hunter” remains not only one of the great thrillers in the history of cinema but one of the better “Children in Peril” movies, not quite up there wi…
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“Do you realize I haven’t kissed you in over an hour?” says Charlton Heston to Janet Leigh at the end of Touch of Evil’s famous opening scene, three and a half minutes of directorial perfection. One long tracking shot, it features close-ups leading to long shadows, followed by long shots of cho…
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Touch of Genius: the legendary opening
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Hitchcock’s classic thriller, dizzying as ever, still packs enough punch to make girls scream. While tame by the crude standards of the past thirty years, the movie doesn’t lack for intrigue, glamour and surprise. That said and though Vertigo is widely acclaimed as Hitchcock’s masterpiece, …
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Hey, is that Kim Novak out front?
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