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Triple helpings of Sophia Loren & Marcello Mastroianni make Yesterday, Today and Tomorrow a triplo trattare of sexy Italian comedy. 1963’s Best Foreign Language Oscar-winner is a primo classico movie. It’s like watching three 40-minute TV episodes performed by all-time great moviestars – a…
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Sophia turns Marcello into a puppy dog.
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Effectively two movies: the first, a boozy romp a la Mad Men; the second, a melodramatic horror of alcoholic insanity, complete with straight-jackets and padded rooms. The first is more fun. Isn’t it always, before ugly drunkenness spoils the party. The bubbly opening reels are a San Franc…
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Charming, boozy romp till he litters ...
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Elvis returns to Hawaii from the Army and proceeds to shake things up with a bunch of girls, his flustered parents and the local tourism industry. Notwithstanding the King’s undying charisma, Blue Hawaii is a disappointing lark, especially since it contains no great songs and lacks a great fem… |
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Breakfast at Tiffany’s is the apotheosis of Kennedy-era Mad Men America. Was it ever on the show? Don’t recall. Coulda, shoulda. Blake Edwards opens his movie of Truman Capote’s novella on an empty Fifth Avenue, with Audrey Hepburn in a little black dress emerging at the only Tiffany’s in…
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Audrey in The Little Black Dress
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One of the most suspenseful films ever made. Alfred Hitchcock’s masterpiece Psycho remains to this very day the greatest horror movie I’ve ever seen. Even after watching it so many times, the edge never wears off. The infamous story tells of a woman who steals $40, 000 and ends up staying at a qu…
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Liz Taylor’s sultry star power makes BUtterfield 8 an enduring curiosity, now more legendary than ever in the wake of her death. A sophisticated story about sexual motives makes it a quality film. La Liz plays a sometime model who cavorts with wealthy married men until falling for one in pa…
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Iconic Liz: Just ask Camille Paglia
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