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Breakfast at Tiffany’s is the apotheosis of Kennedy-era Mad Men America. Was it ever on the show? Don’t recall. Coulda, shoulda. Blake Edwards opens his movie of Truman Capote’s novella on an empty Fifth Avenue, with Audrey Hepburn in a little black dress emerging at the only Tiffany’s in…
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Audrey in The Little Black Dress
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Audrey Hepburn is the spoon-full-of-sugar who makes the cultural imperialism go down in Funny Face. Stanley Donen’s musical – done Broadway style – is an intoxicating Vogue-tini, a Size 0 fashion fantasy. Richard Avedon famously created the opening titles, which are perfectly high fashion. …
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Avedon's timeless portrait of Hepburn
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Like most industries, the modeling industry has a supply chain. Girl Model documents one tawdry strand, originating in the tiny villages of Siberia and ending in the glitzy salons of Japan. It’s not a pretty picture. It is full of pretty girls, many shockingly young. The Japanese like pub…
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Model scout: Regrets? She's got a few.
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How to Marry a Millionaire opens with a five minute bravura orchestral concert, which amazing though it is, is five minutes of men in tuxes when you’re expecting Marilyn Monroe. Then you get Lauren Bacall as the queen bee, the head girl, the model with a plan. And a luscious Marilyn. And …
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Marilyn at the premier. 'Nuff said.
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Movies about real people who lived lives like you’d see in a movie aren’t often great movies, which Rush isn’t. It is – however – a well executed albeit conventional biopic, of the sporting variety. Superstar powered by Chris Hemsworth as racing superstar James Hunt, it never reaches RUSH t…
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The real Lauda & Hunt: screen ready
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A supermodel performing super-softcore porn overshadows a semi-true story about superstar artist Norman Lindsay and his semi-libertine life in the semi-super Sirens. Notable mostly as the movie debut – and movie peak – of Covergirl Queen Elle Macpherson…
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Elle left flanks Sam Neill, not easy ...
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