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Silence of the Lambs set the standard for the psychological crime thriller. As Hanibal, Anthony Hopkins does ‘evil’ like nobody else, and if that wasn’t enough, Jodie Foster and her law enforcement brood need to find and deal with Hanibal’s sick protege. This movie deserved all of the Oscars that… |
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Prime Clint, the reluctant avenging hero, forced here to battle a faulty heart and a cleverly playful serial killer. This understated classic proves that even Eastwood’s minor movies tend to be tautly paced, cleverly constructed and richly satisfying. The clever construction comes from the co…
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Wanda De Jesus: Clint loves strong wo...
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The Guard touches perfection here and there, is otherwise mostly great, but gets held back by a merely OK screenplay. Fortunately a crafty Brendan Gleeson drives plenty of deadpan comedy for a very good movie. So what if it’s not a classic. It’s got brilliant visuals, a handful of LOLs and…
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Dominique McElligott, r. Sarah Greene...
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Out of Sight and into the pantheon of crime-comedies – start with Stephen Soderburgh directing George Clooney in an Elmore Leonard story. Speaking of gorgeous, J-Lo gets into the trunk with G-Cloo.
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Other positives: Bright bluesy opening; Danny DeVito’s Jersey Films producing; Clooney, youn…
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Trunk Spooning: Meet Cute Classic
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Less an LOL comedy than one that keeps you in a semi-sustained semi-grin, The Family has lots to like if not enough to love. Luc Besson’s Mafia satire does score easily and often, with major stars delivering most of its best lines. They each shine brightly, though not in the order you might e…
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Dickhead boys get taught a lesson.
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The FBI’s reputation takes a big blow in Richard Jewell, making Clint Eastwood’s movie about 1996 timely in 2019. Last week’s Justice Department IG report crushed any belief that the upper echelon of the FBI is the least bit trustworthy. That came years after the FBI didn’t pay attention "when …
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Mike Wallace interviews Jewell 6 year...
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Spielberg deploys DiCaprio, Walken & Hanks to great effect in the true-crime whopper Catch Me If You Can, the biopic of wunderkind conman Frank Abagnale. Spielberg’s film was a period-piece hoot when it premiered in 2002, depicting a 60s & 70s America that felt distant even then and is downrigh…
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Frank Abagnale does Google
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Lesser Tarantino but accomplished Tarantino still, Jackie Brown sports a full house of his filmic qualities. Half a dozen stars unspool a cockamamie but coherent story over 2½ hours, complete with bad guys taking each other out, sudden ends and funny surprises. Then there’s the down and dirty…
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Now that's a cast!
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The Sentinel came out in ‘06, halfway through Kiefer Sutherland’s bravura run as Jack Bauer on TV’s 24, the quintessential post-9/11 secret agent series. From there it’s a short hop to Secret Service mucky-muck in the Presidential Protective Division. Michael Douglas is also well-cast as his …
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There's only one moviestar in this shot.
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