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Essential though Patton may be – as war movie, as American history, as biopic – it’s not the epochal statement the Academy thought they were canonizing with seven Oscars in 1971, including Best Picture. Back then Frances Ford Coppola’s script seemed subversive, undermining American militarism …
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If I had my way, I'd meet Rommel F2F.
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I find self-loathing shmucks more annoying than interesting. So Barney’s Version – about a dissolute TV exec played by the redoubtable Paul Giamatti – surprised me by deepening into an affecting and intriguing drama in its third reel. Based on Mordecai Richler’s final novel, its literary pedig…
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Solid acting enlivens a solid novel
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The tangled web of deception surrounding James Bond reaches its nexus in Spectre, a more than serviceable installment in the Blond Bond Era. Daniel Craig’s 007 is once again a stone-cold assassin, reprising the gritty killer persona he established in Casino Royale and has doggedly pursued in …
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Monica Bellucci is spectacular.
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Clint Eastwood’s terrorist-on-a-train film unspools like a cinéma vérité home movie. Three yokels from Sacramento – California’s middle-American capital city – get the chance to be heroes and don’t blow it. Spencer Stone, Alek Skarlatos & Anthony Sadler famously play themselves as the three du…
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Ellen interviews 3 American heroes.
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Aquaman is a whole lotta waterlogged cheese, almost 2½ hours worth. It’s not a bad movie and certainly an OK time at the movies, but is kinda turgid, as DC movies so often are. Fortunately, the cast saves the day, starting with Jason Momoa, who makes a compelling superhero, if not an especial…
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Easter Eggs for those who want more
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Worth seeing, albeit plenty disappointing, The Tourist proves little more than an exercise in high style. Ogling beauty, the movie fetishizes Angelina Jolie and Venice, its grand hotels, sleek wooden motorboats and tiny arched bridges a gorgeous platform for her turn as The Most Beautiful Woma…
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Icons: Depp & the Venetian Tower
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Reverential movie, thy name is The Bicycle Thief. Long considered one of the greatest movies of all time, it still qualifies. Real people play the parts, none more affecting than seven year-old Enzo Staiola’s Bruno. The kid’s now my favorite boy in all of movie history. Bruno’s Dad hock…
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"They don't pay for repairs!" Love t...
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Hail the maximum sword and sandal movie. Gladiator tells a relatively unadorned story stupendously well. Its great star – Russell Crowe – fights above his weight class, delivering a superman performance while hewing to his characteristically understated readings. Highly watchable then and … |
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Federico Fellini’s 8½ is self-referential in the extreme, as his fever-dream of a movie-about-the-making-of-a-movie parodies the self-indulgence of its maker. Nice work if you can get it. Still, it is a classic, widely acclaimed to be amongst the greatest and most influential movies of all …
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Fellini & Claudia Cardinale, his idea...
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A behind-the-scenes peek at high fashion, huge egos and what’s left of La Dolce Vita, this documentary of superstar designer Valentino works as a modest entertainment, but mostly serves as a character study of a monstrously successful artistic genius and his promotional alter ego. For those in…
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Valentino Visions in White
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