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Formulaic sequels like The Equalizer 3 don’t get any respect. However, they make for immensely satisfying cinematic experiences when executed to perfection. E3 pretty much executes to perfection. Indeed, it fires on damn near all cylinders: a perfect film led by a nonpareil moviestar, work… |
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Clint Eastwood’s terrorist-on-a-train film unspools like a cinéma vérité home movie. Three yokels from Sacramento – California’s middle-American capital city – get the chance to be heroes and don’t blow it. Spencer Stone, Alek Skarlatos & Anthony Sadler famously play themselves as the three du…
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Ellen interviews 3 American heroes.
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The only smile triggered by Jason Bourne comes after the very long end credits, where the fine print under a “Green is Universal” logo brags about how this steroidal killfest used Sustainable Filming Practices. So let’s get this straight. After the private jets used by Matt Damon and his large …
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Mighty Matt rocks his upside-down grin.
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The tangled web of deception surrounding James Bond reaches its nexus in Spectre, a more than serviceable installment in the Blond Bond Era. Daniel Craig’s 007 is once again a stone-cold assassin, reprising the gritty killer persona he established in Casino Royale and has doggedly pursued in …
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Monica Bellucci is spectacular.
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I find self-loathing shmucks more annoying than interesting. So Barney’s Version – about a dissolute TV exec played by the redoubtable Paul Giamatti – surprised me by deepening into an affecting and intriguing drama in its third reel. Based on Mordecai Richler’s final novel, its literary pedig…
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Solid acting enlivens a solid novel
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Hail the maximum sword and sandal movie. Gladiator tells a relatively unadorned story stupendously well. Its great star – Russell Crowe – fights above his weight class, delivering a superman performance while hewing to his characteristically understated readings. Highly watchable then and … |
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Charlton Heston makes Michelangelo as operatic as Moses in The Ten Commandments. Facing off with Rex Harrison’s Warrior Pope in 1500s Rome makes The Agony and the Ecstasy a spectacle extraordinaire. The 2¼ hour runtime wisely starts with a 12 min. intro that covers Michelangelo’s highlight…
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Charlton Heston with the Contessina
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Burton and O’Toole grandly declaim in Becket, a big historical drama and big hit from 1964. Two leading-men of the old school variety, with big voices, they’re more than capable of extreme declamation in a love story between two men – unrequited. The bromance ended badly after Burton’s great ma…
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King & Wingman, before it all went bad
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Triple helpings of Sophia Loren & Marcello Mastroianni make Yesterday, Today and Tomorrow a triplo trattare of sexy Italian comedy. 1963’s Best Foreign Language Oscar-winner is a primo classico movie. It’s like watching three 40-minute TV episodes performed by all-time great moviestars – a…
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Sophia turns Marcello into a puppy dog.
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More than just the chariot race, Ben-Hur virtually defines big screen epic. At three and a half hours, it’s a lot of movie, full of bravura performances, grand visuals, and tasteful religious symbolism. One of only three movies to win 11 Oscars,1 it deserves the acclaim that accompanies the…
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Ben-Hur: This, in widescreen Technico...
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